I Bring Stones To Life By Painting The Living Spirit Of The Being I Feel Inside The Stone (neue Bilder)

    mir, stones are not easy products or canvases for painting images on. Amongst all those various stones on a river bank, one stone, appearing like an animal, captures my eye. I feel that stone has actually discovered me too when I discover a stone. Stones have their own objectives, and I consider my encounters with them as hints they offer me its OK to go on and paint exactly what I see on them.

    So the stones I choose to paint on are not approximate, however my substantial revers with whom I have actually developed a connection, which influences me to deal with them. In my encounters with the stones and in my art, I appreciate my revers in toto, so I never ever process stones, and would never ever cut off an edge to change the shape. Stones might fall outside our typical meaning of living organisms, however when I consider the very long time it considers a stone to alter from a big stone in the mountains to the shapes and size it has, as rests in my palm, I feel the history of the earth that the stone has actually calmly experienced over the centuries, and I feel the story inside it. I feel the breath of a life inside each stone, so often I paint while I talk with the stone as I hold it in my hand.

    In order to draw out the living being that I feel in the stone to its surface area, I continue really thoroughly. I think about action by action, zum Beispiel, whether I am placing the foundation in the best location. Does it feel? Am I requiring something that disagrees with the natural shape of the stone? I tread thoroughly. When I really feel that it is the ideal brushstroke, I put my paintbrush to the stone. In this sense, my painting is a discussion with the stone. It is the stone that identifies exactly what I paint on it, not me. The art I wish to develop is a life freshly born in my hands through my discussion with the stone. I wish to paint the life, the living spirit of the being I feel inside the stone.

    I paint the eyes at the very end, and I consider my work finished just when I see that the eyes are now alive and recalling directly at me. mir, finishing a piece of work is not about what does it cost? information I draw, however whether I feel the life in the stone.

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